Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century DresdenOxford University Press, 27/04/2006 - 528 من الصفحات This book is an examination of the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars. |
المحتوى
3 | |
6 | |
2 The Italianate Hofkapelle of Johann Georg II 165680 | 32 |
3 Johann Georg II and the Problem of Catholicism | 76 |
The Dresden Textual Repertoire | 101 |
The New Sacred Concerto in Dresden | 172 |
Style and Affect in the Dresden Concerto | 245 |
7 Johann Georgs Vision for Worship | 341 |
The Liturgical Year at the Dresden Court | 362 |
Johann Georg II Remembered | 438 |
Source Documents | 443 |
Sacred Vocal Works of the Principal Dresden Court Composers | 455 |
Bibliography of Primary Sources | 481 |
487 | |
501 | |
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عبارات ومصطلحات مألوفة
Albrici and Peranda Alleluia alto appears aria aria strophes bass Bernhard Bontempi Carissimi castrati Catholic celebrated Cherici Christ church composers composition concertato concerto concerto with aria continuo cor meum court chapel court diaries D-B Mus devotional texts Domine Dresden Dresden court dulcis Easter edition in Frandsen elector entry example feast days Fürstenau German Gloria Gospel Gott Gratiani Hofkapelle hymn included Jesus Johann Georg II Kapellmeister Kirchen-Ordnung Latin liturgies Lutheran Melani Modern edition motet mystical œ J œ œ œ œ œ R œ orders of worship Pentecost performed Prince Johann Georg prince’s psalm restatement ritornello Roman roster S-Uu VMHS Sächs HStA Loc Sächs HStA OHMA sacred concertos SATB Saxon Schütz scoring sermon singers SLUB Q solo motets soprano Spagnoli speaker SSATB stanzas strophes style Sunday sung survive tenor textual timpani Vespers Vespers SLUB Vincenzo Albrici vocal Weißenfels Year’s Day