Folklore and the Fantastic in Nineteenth-century British FictionAshgate Publishing, Ltd., 2008 - 235 من الصفحات The author argues that the tension between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folklore fiction. |
المحتوى
Their Folklore and Function | 37 |
MacDonalds Fairyland | 61 |
In Pursuit of the Soul in Fairyland | 89 |
Folk Metaphysics and Narrative Authority | 103 |
Folklore and Imperialism | 149 |
The Celtic Renaissance | 163 |
Second Sight | 193 |
| 211 | |
| 225 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
aesthetic Anodos ash tree asserts Barrie's beliefs border British Carleton Carmilla Celtic characters claims critical cultural Curdie dead despite devil dreams dynamics emphasizes English fairy tale fairy tales fairy-tale Fairyland Falesá Fanu Fanu's fears female Fiction Fiona Macleod folklore folklorists folktale genre George MacDonald goblins Gothic hero Hogg Hogg's human imagination Ireland Irish Jack Zipes James Laura legend Lilith literary fairy literary fantastic literature lore magical Mànus märchen marvelous Master of Ballantrae memorats metaphysics Michael Scott moral motifs narrative narrator native Neil nineteenth century novel oral otherworldly perspectives Peter Pan Phantastes political presentation Princess Princess and Curdie psychological rational reality resonance revenant rhetoric Robert Romantic rural Scotland Scottish second sight Sharp Sheridan Le Fanu Sin-Eater skepticism social spiritual Stevenson storytelling subversive supernatural folklore superstition tensions Three Perils tradition uncanny University Press vampire Victorian fairy vision voices Wendy William William Carleton woman women Wotherwop writers York Zipes