Plays and Dramatic Essays

الغلاف الأمامي
W. Scott, 1893 - 239 من الصفحات
 

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الصفحة 176 - Desiring this man's art, and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee— and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate...
الصفحة 176 - tis true I have gone here and there And made myself a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
الصفحة 182 - What we see upon a stage is body and bodily action ; what we are conscious of in reading is almost exclusively the mind, and its movements : and this I think may sufficiently account for the very different sort of delight with which the same play so often affects us in the reading and the seeing.
الصفحة 192 - Ye have the account Of my performance : what remains, ye gods ! But up, and enter now into full bliss ?" So having said, a while he stood, expecting Their universal shout, and high applause, To fill his ear ; when, contrary, he hears On all sides, from innumerable tongues, A dismal universal hiss, the sound Of public scorn...
الصفحة 167 - It may seem a paradox, but I cannot help being of opinion that the plays of Shakespeare are less calculated for performance on a stage, than those of almost any other dramatist whatever. Their distinguishing excellence is a reason that they should be so. There is so much in them, which comes not under the province of acting, with which eye, and tone, and gesture, have nothing to do.
الصفحة 157 - Shakespeare, as of a wild irregular genius "in whom great faults are compensated by great beauties," would be really true applied to Chapman. But there is no scale by which to balance such disproportionate subjects as the faults and beauties of a great genius. To set off the former with any fairness against the latter, the pain which they give us should be in some proportion to the pleasure which we receive from the other. As these transport us to the highest heaven, those should steep us in agonies...
الصفحة 178 - The truth is, the characters of Shakspeare are so much the objects of meditation rather than of interest or curiosity as to their actions, that while we are reading any of his great criminal characters, — Macbeth, Richard, even lago, — we think not so much of the crimes which they commit, as of the ambition, the aspiring spirit, the intellectual activity, which prompts them to overleap these moral fences.
الصفحة 176 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
الصفحة 166 - It seemed to embody and realize conceptions which had hitherto assumed no distinct shape. But dearly do we pay all our life after for this juvenile pleasure, this sense of distinctness. When the novelty is past, we find to our cost that instead of realizing an idea, we have only materialized and brought down a fine vision to the standard of flesh and blood.
الصفحة viii - Town, the Watchmen, drunken scenes, rattles, - life awake, if you awake, at all hours of the night, the impossibility of being dull in Fleet Street, the crowds, the very dirt and mud...

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