...the " Fiend, is more capricious than terrible; and " his Adam and Eve are two common models " fhut up in a rocky dungeon. Every work of " his is a proof...parts, and unmindful of " the whole, he has rather fhewn us what to ." avoid than what we are to follow. Though " called the Father of the German School,...

...Knight attended by Death and the Fiend, is more capricious than terrible ; and his Adam and Eve •re two common models (hut up in a rocky dungeon. Every...what he faw to what he did not fee. -Copious without talle, anxioufly precife in parts, and unmindful of the whole, he has rather Ihewn us what to avoid...

...Death and the Fiend, it more capricious than terrible; and his Adam and Eve are two common models ihut up in a rocky dungeon. Every work of his is a proof that hi wanted the power of imitation, of concluding from what he faw to what he did not fee. Copious without...

...the *' Fiend, is more capricious than terrible ; and " his Adam and Eve are two common models " fhut up in a rocky dungeon. Every work of " his is a proof...parts, and unmindful of " the whole, he has rather fhewn us what to *' avoid than what we are to follow. Though «' tailed the Father of the German School,...

...and the Fiend, is more capricious than terrible ; and his Adam and Eve are two common models fliut up in a rocky dungeon. Every work of his is a proof...tafte, anxioufly precife in parts, and unmindful of tiie whole, he has rather fliewn us what to avoid than what we are to follow. Though called the Father...

...of Melancholy, have much fub" limity, though the expreflion of the laft is " weakened by the rubbim he has thrown about " her. His Knight attended by...what he faw to " what he did not fee. Copious without tafle, " anxioufly precife in parts, and unmindful of " the whole, he has rather {hewn us what to "...

...the " Fiend, is more capricious than terrible; and " his Adam and Eve are two common models " fhut up in a rocky dungeon. Every work of " his is a proof...parts, and unmindful of ** the whole, he has rather fhewn us what to, " avoid than what we are to follow. Though " called the Father of the German School,...

...proportions of the human frame, but he did not invent a ftyle : every work of his is a proof that be wanted the power of imitation, of concluding from what he faw, to what he did not fee, that he copied rather than felefted the forms that furrounded him, and fans remorfe tacked deformity...

...and the Fiend is more capricious than terrible ; and his Ajdam and Eve are two common models fliut up in a rocky dungeon. Every work of his is a proof...power of imitation, of concluding from what he faw to yvhat he did not fee. Copious without tafte, anxioufly prerife in parts, and unmindful of the whole,...

...his Art, his elegant literature, and his comprehenfive fgopc «f Kind, peculiarly qualify him. " fhut up in a rocky dungeon. Every work of " his is a proof that he wanted the power of 'i imitation, of concluding from what he faw to " what he did not fee. Copious without taftej " anxioufly...