The Mande Blacksmiths: Knowledge, Power, and Art in West AfricaIndiana University Press, 1988 - 241 من الصفحات " ... Finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." American Ethnologist "The text is detailed and informative, and enjoyable reading ..." Choice "The Mande Blacksmith is an important book ... sensitive, sympathetic, multifaceted, and thorough ..." African Arts "McNaughton's Mande Blacksmiths is undeniably the most profound study of African artists yet published." Ethnoarts " ... penetrating ... McNaughton boldly grapples with the thorniest issues related to his subject and articulates them with clarity and precision." International Journal of African Historical Studies " ... a work in the best tradition of ethnographic research ... critical reappraisal, innovative inquiry, and fresh observation ... make this book an invaluable fund of new material on Mande societies ..." American Anthropologist "McNaughton ... provides an important interpretation of these artists' conceptual place as members of a complex culture." Religious Studies Review Examining the artistic, technological, social, and spiritual dimensions of Mande blacksmiths, who are the sculptors of their society, McNaughton defines these artists conceptual place as extraordinary members of a complex culture. |
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الصفحة xxi
... traditional divisions of la- bor , concepts of sorcery and occult energy , beliefs about the world of spirits , and the characteristics of traditional knowledge . To be sure , there is varia- tion here , too . But there is also a strong ...
... traditional divisions of la- bor , concepts of sorcery and occult energy , beliefs about the world of spirits , and the characteristics of traditional knowledge . To be sure , there is varia- tion here , too . But there is also a strong ...
الصفحة 57
... traditional African contexts , was first noted by non - Africans in Boston when the Rever- end Cotton Mather observed scars on slaves and inquired after their mean- ing . At that time , 1706 , epidemics were frequent in both Europe and ...
... traditional African contexts , was first noted by non - Africans in Boston when the Rever- end Cotton Mather observed scars on slaves and inquired after their mean- ing . At that time , 1706 , epidemics were frequent in both Europe and ...
الصفحة 234
... Traditional Africa . " In Art and Aesthetics in Primitive Societies . Edited by Carol Jopling . New York : E. P. Dutton , pp . 374-381 . 1971b . Black Gods and Kings . Los Angeles : Museum of Cultural History , University of California ...
... Traditional Africa . " In Art and Aesthetics in Primitive Societies . Edited by Carol Jopling . New York : E. P. Dutton , pp . 374-381 . 1971b . Black Gods and Kings . Los Angeles : Museum of Cultural History , University of California ...
المحتوى
THE MANDE SMITHS AS CRAFTSMEN | 22 |
SMITHS AND THE SHAPE OF CIVILIZED SPACE | 40 |
THE BLACKSMITHS SCULPTURE | 101 |
حقوق النشر | |
4 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
adze African amulets animal articulation Bamako Bamana Bambara Bani River bards become bellows bird masquerade blacksmiths blade Bougouni called caste Charles Bird circumcision Cissé clans considered culture cups daliluw dance dangerous Dieterlen Dioila divination Dogon door locks Dunbiya Dyula energy example Fula groups hammer head herbal horns human hunters Imperato initiation association Interview iron figure iron lamps iron staffs Kaarta Kalilou Tera kind knife knowledge kòmò masks Magan Fane Mali Empire Malinké Mande language Mande sculpture Mande smiths Maninka Markala mask wearer means Monteil nyama nyamakala occult performance personal communication Photo Photograph by Jeffrey piece PLATE possess praise sculpted secret Sedu Traore Sedu's Ségou Ségou region Sekuba Camara Senufo Seydou Camara shaft shape Sidi Ballo slaves smelting snake song Soninke sorcery spear Sumanguru Kante Sunjata supernatural symbolize techniques things tion town traditional types Western Wolin wood Zahan