The Mande Blacksmiths: Knowledge, Power, and Art in West Africa" ... Finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." American Ethnologist "The text is detailed and informative, and enjoyable reading ..." Choice "The Mande Blacksmith is an important book ... sensitive, sympathetic, multifaceted, and thorough ..." African Arts "McNaughton's Mande Blacksmiths is undeniably the most profound study of African artists yet published." Ethnoarts " ... penetrating ... McNaughton boldly grapples with the thorniest issues related to his subject and articulates them with clarity and precision." International Journal of African Historical Studies " ... a work in the best tradition of ethnographic research ... critical reappraisal, innovative inquiry, and fresh observation ... make this book an invaluable fund of new material on Mande societies ..." American Anthropologist "McNaughton ... provides an important interpretation of these artists' conceptual place as members of a complex culture." Religious Studies Review Examining the artistic, technological, social, and spiritual dimensions of Mande blacksmiths, who are the sculptors of their society, McNaughton defines these artists conceptual place as extraordinary members of a complex culture. |
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الصفحة 205
Interview with Sekuba Camara , June 1978. It is not clear to me whether all somaw braided their hair , or just those who were smiths . 19. Numu Satigi turu kèlè fenjugu turu . Soma min man'a ye , Kalokalo soma min man'a ye , A muri be ...
Interview with Sekuba Camara , June 1978. It is not clear to me whether all somaw braided their hair , or just those who were smiths . 19. Numu Satigi turu kèlè fenjugu turu . Soma min man'a ye , Kalokalo soma min man'a ye , A muri be ...
الصفحة 210
I interviewed this Fane smith in August 1973 . 43. I saw the lamp in the shop of one of ... Interview with Bourama Soumaoro , February 1973 . 46. Interview with Ba Sinale Konate , June 1978 . 47. Se y'a ta ye , jamana y'a ta ye ...
I interviewed this Fane smith in August 1973 . 43. I saw the lamp in the shop of one of ... Interview with Bourama Soumaoro , February 1973 . 46. Interview with Ba Sinale Konate , June 1978 . 47. Se y'a ta ye , jamana y'a ta ye ...
الصفحة 211
Interview with Dramane Dunbiya , April 1973 . 85. Ibid . 86. Interview with Magan Fane , August 1973 . 87. Goody 1971 describes the reasons why horses became such effective symbols of military power in west Africa , by explaining the ...
Interview with Dramane Dunbiya , April 1973 . 85. Ibid . 86. Interview with Magan Fane , August 1973 . 87. Goody 1971 describes the reasons why horses became such effective symbols of military power in west Africa , by explaining the ...
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المحتوى
BLACKSMITHS IN MANDE SOCIETY | 1 |
THE MANDE SMITHS AS CRAFTSMEN | 22 |
SMITHS AND THE SHAPE OF CIVILIZED SPACE | 40 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acquire activities African amulets animal articulation association Bamako Bamana bards become believed Bird blacksmiths blade called Camara carry carved caste circumcision clans collection communication considered create culture cups daliluw dance dangerous described divination effect energy example fact figures fire force forge frequently groups hammer hand handle head horns human hunters important individuals initiation Interview involves iron kind knowledge kòmò kòmò masks lamps live Mali Mande master materials means medicine mouth names natural noted nyama objects performance Photograph piece PLATE possess practice praise present protect referred region sculpture secret Sedu Traore serve shaft shape smelting smiths social society sometimes song sorcery spear spirits staffs suggests symbolize techniques things tion town traditional types West Western wood wooden young