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acting actor actress admiration afterwards Aickin ance Anne Oldfield appearance applause audience Barry Bath beauty Belvidera Bensley Betterton Boaden Bracegirdle Brecon Brereton Calista character Cibber circumstances comedy comic Constance cotemporaries Covent Garden Crawford Cruscan death Della Cruscan died Digges drama dress Drury Lane Dublin Duchess Duchess of Portsmouth Edinburgh effect Elizabeth Barry elocution engagement eyes fair father Garrick gave genius Grecian Daughter Guy's Cliff heard Henderson heroine honour imagine Isabella Jane Shore John Kemble King Lady Randolph lived London Lord majesty manager ment mind Miss Kemble morning Mountford nature never night Oldfield passion performed person play players poet poetry popularity powers Queen racter recollections remember Roger Kemble scene season seems seen Shakespeare Shane's Castle shew Siddons Siddons's speak Spranger Barry stage taste Tate Wilkinson theatre theatrical thou thought tion told tragedy tragic utter Venice Preserved voice whilst words Yates young Zara
الصفحة 225 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
الصفحة 162 - The awful consciousness that one is the sole object of attention to that immense space, lined as it were with human intellect from top to bottom, and all around, may perhaps be imagined, but can never be described, and by me can never be forgotten.* " Of the general effect of this night's performance I need not speak : it has already been publicly recorded.
الصفحة 108 - Pity it is, that the momentary beauties flowing from an harmonious elocution, cannot like those of poetry be their own record! That the animated graces of the player can live no longer than the instant breath and motion that presents them; or at best can but faintly glimmer through the memory, or imperfect attestation of a few surviving spectators.
الصفحة 242 - I walked up the steps, and instantly seated myself in the attitude in which the Tragic Muse now appears. This idea satisfied him so well, that without one moment's hesitation he determined not to alter it.
الصفحة 215 - Arthur in my hand, to hear the march, when, upon the reconciliation of England and France, they enter the gates of Angiers to ratify the contract of marriage between the Dauphin and the Lady Blanche; because the sickening sounds of that march would usually cause the bitter tears of rage, disappointment, betrayed confidence, baffled ambition, and, above all, the agonizing feelings of maternal affection to gush into my eyes. In short, the spirit of the whole drama took possession of my mind and frame,...
الصفحة 163 - I reached my own quiet fireside, on retiring from the scene of reiterated shouts and plaudits. I was half dead, and my joy and thankfulness were of too solemn and overpowering a nature to admit of words, or even tears.
الصفحة 224 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven : If that be true, I shall see my boy again ; VOL.
الصفحة 117 - Mrs. Barry, always excellent, has in this tragedy excelled herself, and gained a reputation beyond any woman I have ever seen on the theatre.
الصفحة 119 - In scenes of anger, defiance, or resentment, while she was impetuous, and terrible, she poured out the sentiment with an enchanting harmony...
الصفحة 160 - I dreaded being obliged to defer my appearance on the 10th, longing, as I most earnestly did, at least to know the worst. I went to bed, therefore, in a state of dreadful suspense. - Awaking the next morning, however, though out of restless, unrefreshing sleep, I found, upon speaking to my husband, that my voice was very much clearer.