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accompanied addressed admirable announced appearance Arthur artists audience beautiful Beethoven Benedict better BOOK called character charming chorus composer compositions concert direction DUNCAN DAVISON effect engaged English excellent expression fact feeling flat four gave give given grand Hall heard Henry Herr honour interest Italian Italy John lady late less Lohengrin London Madame March master Mdlle Mdme means melody Messrs Michael Costa minor Miss Monday musician never night occasion opera orchestra organ original overture Paris performance piano pianoforte pieces played popular present Price principal produced programme Published received Regent Street Royal sang season SHILLINGS Signor sing singer Society solo song soprano Sterndale Bennett success Sullivan sung Symphony Theatre true violin vocal vocalist voice Wagner young
الصفحة 319 - Remember not, Lord, our offences, nor the offences of our forefathers ; neither take thou vengeance of our sins : spare us, good Lord, spare thy people, whom thou hast redeemed with thy most precious blood, and be not angry with us for ever.
الصفحة 100 - Kit-cat' took its name, Few critics can unriddle : Some say from ' Pastrycook ' it came, And some, from 'cat' and 'fiddle.' From no trim beaux its name it boasts, Gray statesmen, or green wits ; But from this pellmell pack of toasts Of old ' cats ' and young
الصفحة 347 - At the end of my last stay at Paris, when ill, miserable, and despairing, I sat brooding over my fate, my eye fell on the score of my ' Lohengrin,' totally forgotten by me. Suddenly I felt something like compassion that this music should never sound from off the deathpale paper. Two words I wrote to Liszt ; his answer was the news, that preparations for the performance were being made on the largest scale the limited means of Weimar would permit. Everything that men and circumstances could do was...
الصفحة 109 - I AM the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me, shall never die.
الصفحة 90 - Sleep," said the Peri, as softly she stole The farewell sigh of that vanishing soul, As true as e'er warm'da woman's breast — "Sleep on, in visions of odour rest, In balmier airs than ever yet stirr'd Th...
الصفحة 338 - It could, therefore, not enter my mind to ingraft on this my musical form, growing as it did out of the nature of the scenes, the traditional forms of operatic music, which could not but have marred and interrupted its organic development.
الصفحة 347 - At the end of my last stay in Paris " (in 1850), " when, ill, miserable, and despairing, I sat brooding over my fate, my eye fell on the score of my ' Lohengrin/ totally forgotten by me. Suddenly I felt something like compassion that this music should never sound from off the death-pale paper. Two words I wrote to Liszt ; his answer was the...
الصفحة 271 - ... and, by their art, faultless throughout. " In the midst of their complicated modulations and most intricate arrangement of notes, by a rapidity so sweet, a regularity so irregular, a concord so discordant, the melody is rendered harmonious and perfect, •whether the chords of the diatesseron or diapente are struck together.
الصفحة 344 - Her Most Gracious Majesty the QUEEN. His Royal Highness the Prince of WALES. Her Royal Highness the Princess of WALES.
الصفحة 113 - Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.