Music and the Reformation in England: 1549-1660Oxford University Press, 1967 - 454 من الصفحات In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. This book traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background. |
المحتوى
The Elizabethan Settlement | 41 |
The Chapel Royal | 57 |
the order of Common Prayer | 157 |
حقوق النشر | |
18 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
Music and the Reformation in England 1549-1660 <span dir=ltr>Peter Le Huray</span> لا تتوفر معاينة - 1978 |
Music and the Reformation in England 1549-1660 <span dir=ltr>Peter Le Huray</span> لا تتوفر معاينة - 1978 |
عبارات ومصطلحات مألوفة
Alleluia Almighty bass Behold Benedictus Book Byrd Byrd's Cathedral Chapel Royal choir choral chorus College composer compositions consort song contemporaries Creed David heard Deum doth early Elizabethan extant Farrant festal psalms five-part full anthems Giles Gloria hast hath put Hear my prayer Holy Hymnes imitative instrumental John King Kyrie Latin liturgical London lute MAATB madrigals Magnificat Magnificat and Nunc manuscripts MATB mercy metrical psalms Morley Morley's motets Musica Deo Sacra musicians Nunc dimittis organ Organist Orlando Gibbons Oxford part-books Paul's Praise the Lord pre-Restoration Preces psalter Richard Richard Farrant Robert sackbutts scored secular Services and anthems settings Short Service sing unto solo voices soul sources Sternhold style sung Tallis Te Deum tenor Thee thine Thomas Tomkins Thomas Weelkes tonality trebles tunes un-to unto the Lord verse anthems viols Weelkes Westminster Abbey William Byrd William Mundy Windsor words