Gay Guerrilla: Julius Eastman and His MusicRenée Levine Packer, Mary Jane Leach Boydell & Brewer, 2015 - 244 من الصفحات A compelling portrait of composer-performer Julius Eastman's enigmatic and intriguing life and music. Composer-performer Julius Eastman (1940-90) was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Eastman's provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others, assault us with his obsessions. |
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عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
عذرًا، محتوى هذه الصفحة مقيَّد.
المحتوى
Julius Eastman and His Music | 1 |
1 Julius Eastman A Biography | 9 |
2 Unjust Malaise | 75 |
3 The Julius Eastman Parables | 83 |
4 Julius Eastman and the Conception of Organic Music | 95 |
5 Julius Eastman Singing | 100 |
6 An Accidental Musicologist Passes the Torch | 107 |
Julius Eastman in New York City 197690 | 116 |
9 A Postminimalist Analysis of Julius Eastmans Crazy Nigger | 140 |
Still Staying on Stay On It | 151 |
11 Connecting the Dots | 179 |
A Minimalist Choralphantasie | 191 |
Julius Eastman Compositions | 200 |
Chronology | 207 |
221 | |
List of Contributors | 225 |
Photographs follow page 122 | 122 |
A Piece for Multiple Instruments of the Same Type by Julius Eastman 1979 with Performance Instructions by Joseph Kubera | 131 |
229 | |