The Philosophy of Sound, and History of Music

ancient antihelix atmosphere called celebrated chapel chapel royal character Chladni church music clef column of air composed compositions conducting power cord curious distance duced echo effect elastic employed equal evident excited experiments fact figure flute flute-players formed give given glass GRECIAN MUSIC harmony harp harpsichord heard history of music honour human voice instance instru intensity internal ear introduced invented king length longitudinal vibration lyre manner melody membrane ment mentioned monochord motion Mozart musical instruments musical sounds musicians nodes notes observed obtained octave opera organ of hearing Orlando Gibbons performed persons philosophical pianoforte pieces pipe pitch played Plutarch poet produced reader received reed reign remarkable Roman Rome says semitone singing solids song sounding body speaking stringed instruments substance supposed surface tion tone trumpet tube tympani tympanum undulations unison velocity of sound vibrating body vibrating plate vibrating strings violin voice writers