Cinematic Identity: Anatomy of a Problem Film |
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
1 | |
2 In the Hearts of Men | 21 |
3 Censorship and the Problem Films | 47 |
The Performing American | 81 |
Black and White Americans on Film | 107 |
A SYNOPSIS | 139 |
NOTES | 143 |
173 | |
FILMOGRAPHY | 179 |
181 | |
طبعات أخرى - عرض جميع المقتطفات
Cinematic Identity: Anatomy of a Problem Film <span dir=ltr>Cindy Patton</span> لا تتوفر معاينة - 2007 |
Cinematic Identity: Anatomy of a Problem Film <span dir=ltr>Cindy Patton</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
acting style activists African Americans anti-Semitism argued Aunt Dicey Black actors Black body Black experience Black women blackfaced Burstyn censored censorship character cinema citizen citizenship communist complex critical cultural diegetic différend Director discourse Elia Kazan emerged emotions entertainment Ethel Waters ethical figure film censorship film’s genre Gentleman’s Agreement gestures Hays Code heterosexuality Hobson homosexual HUAC iconic idea identification identity images Imitation indexical issues Jeanne Crain kiss Laura Z liberal logic Lundigan Lyotard masculinity means melodrama Method acting miscegenation Miss Em’s moral narrative nation Negro one’s particular passing performance person Pinky Pinky’s play plot political popular post–World prejudice problem films produced queer racial racism rape representation role Rorty scene semiotic sexual shift social space specific stereotypical story suggest Supreme Court theory tion understanding viewers violence Waters’s white Americans white audiences William Lundigan woman