A Subject for Taste: Culture in Eighteenth-century EnglandHambledon and London, 2005 - 272 من الصفحات In the eighteenth century England became the richest and most powerful country in the world. From being a country divided by religious and political conflict, and in the shadow of France, England and the English became confident and self-assured. A Question for Taste is a rounded portrait of English culture in the eighteenth century. Not only a matter of leading writers, from Swift and Pope to Dr Johnson and Sheridan, or of artists from Hogarth to Reynolds, there was also room for popular ballads, political doggerel, pornographic verse and vigorous satirical cartoons. Taste in architecture ranged from great houses with gardens landscaped by Capability Brown to the changed use of domestic space in towns. Jeremy Black looks at the both the wealth of cultural activity in the period and at the changing patronage of and market for books, art, architecture, music and consumer goods. |
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الصفحة 84
... criticism of the alleged profanity and immorality of the stage , for example by the non - juror cleric Jeremy Collier in his pamphlet A Short View of the Immorality and Profaneness of the English Stage ( 1698 ) . Such agitation led in ...
... criticism of the alleged profanity and immorality of the stage , for example by the non - juror cleric Jeremy Collier in his pamphlet A Short View of the Immorality and Profaneness of the English Stage ( 1698 ) . Such agitation led in ...
الصفحة 105
... criticism . Jonathan Richard- son's Essay on the Theory of Painting ( 1715 ) both advanced art criticism in England and argued that English painters could equal Italian old mas- ters . Aside from this comment on cosmopolitanism , the ...
... criticism . Jonathan Richard- son's Essay on the Theory of Painting ( 1715 ) both advanced art criticism in England and argued that English painters could equal Italian old mas- ters . Aside from this comment on cosmopolitanism , the ...
الصفحة 181
... Criticisms focused not so much on the quality of the work as on its purpose , or apparent lack of it , for artist and patron , matching the criticism of Boucher and praise of Greuze in France by Diderot.12 Although there was an ...
... Criticisms focused not so much on the quality of the work as on its purpose , or apparent lack of it , for artist and patron , matching the criticism of Boucher and praise of Greuze in France by Diderot.12 Although there was an ...
المحتوى
Home and Abroad | 211 |
Notes | 237 |
Selected Further Reading | 259 |
حقوق النشر | |
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Abbey activity aesthetic Alexander Pope Alongside appeared architecture artistic Baroque became Beggar's Opera Britain British Castle Howard century Charles church Classical comedy concerts criticism culture decoration depicted designed Duke Earl edition eighteenth Eighteenth-Century elite emphasis England English example fashion French gardens genre George George III Gothic Gothic fiction Gothic novels Handel Henry Henry Fielding History Hogarth houses important included interest Italian Jacobite James John Johnson landscape later literary literature London Lord major Mary Leapor middling orders modern moral newspapers novels opera Oxford painters painting Palladian Park particularly patronage patrons period picturesque play poem poet poetry political popular portraits printed published reflected religious response Robert Robert Adam Rococo role Royal Academy Samuel seen sentimental Shakespeare Sherborne Castle social society songs Stafford Chronicle stage Stourhead style taste theatre theme Thomas towns Walpole Whig William William Hogarth William Kent women writers wrote