A Subject for Taste: Culture in Eighteenth-century EnglandHambledon and London, 2005 - 272 من الصفحات In the eighteenth century England became the richest and most powerful country in the world. From being a country divided by religious and political conflict, and in the shadow of France, England and the English became confident and self-assured. A Question for Taste is a rounded portrait of English culture in the eighteenth century. Not only a matter of leading writers, from Swift and Pope to Dr Johnson and Sheridan, or of artists from Hogarth to Reynolds, there was also room for popular ballads, political doggerel, pornographic verse and vigorous satirical cartoons. Taste in architecture ranged from great houses with gardens landscaped by Capability Brown to the changed use of domestic space in towns. Jeremy Black looks at the both the wealth of cultural activity in the period and at the changing patronage of and market for books, art, architecture, music and consumer goods. |
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الصفحة 214
... Charles Clerisseau was invited to London in 1771 , and exhibited with much success at the Royal Academy . Few went to France to train , although Christopher Steele , a Cumbrian portrait - painter , spent a year in Paris around 1750 ...
... Charles Clerisseau was invited to London in 1771 , and exhibited with much success at the Royal Academy . Few went to France to train , although Christopher Steele , a Cumbrian portrait - painter , spent a year in Paris around 1750 ...
الصفحة 265
... Charles 90 , 106 Bacon , John 139 , 183 Bage , Robert 233 Bailey , Nathan 167 ballads 141-42 Bancks or Banks , John 141 , 161 Banks , Thomas 183 Baroque 14 , 30–31 , 47–48 , 52 , 53 , 83 , 86 , 87 , 89 , 171–76 Barry , James 85 , 190 ...
... Charles 90 , 106 Bacon , John 139 , 183 Bage , Robert 233 Bailey , Nathan 167 ballads 141-42 Bancks or Banks , John 141 , 161 Banks , Thomas 183 Baroque 14 , 30–31 , 47–48 , 52 , 53 , 83 , 86 , 87 , 89 , 171–76 Barry , James 85 , 190 ...
الصفحة 268
... Charles 66 , 68 , 70 Hampton Court 30 , 35 , 37 , 50 , 59 , 60 , 211 Handel , George Frideric 31-32 , 36–37 , 45 , 79 , 91–92 , 102 , 109 , 136 , 142 , 187 , 213 , 218 , 221-22 Hatchlands 58-75 Hawksmoor , Nicholas 30 , 47-48 , 60 , 87 ...
... Charles 66 , 68 , 70 Hampton Court 30 , 35 , 37 , 50 , 59 , 60 , 211 Handel , George Frideric 31-32 , 36–37 , 45 , 79 , 91–92 , 102 , 109 , 136 , 142 , 187 , 213 , 218 , 221-22 Hatchlands 58-75 Hawksmoor , Nicholas 30 , 47-48 , 60 , 87 ...
المحتوى
Home and Abroad | 211 |
Notes | 237 |
Selected Further Reading | 259 |
حقوق النشر | |
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Abbey activity aesthetic Alexander Pope Alongside appeared architecture artistic Baroque became Beggar's Opera Britain British Castle Howard century Charles church Classical comedy concerts criticism culture decoration depicted designed Duke Earl edition eighteenth Eighteenth-Century elite emphasis England English example fashion French gardens genre George George III Gothic Gothic fiction Gothic novels Handel Henry Henry Fielding History Hogarth houses important included interest Italian Jacobite James John Johnson landscape later literary literature London Lord major Mary Leapor middling orders modern moral newspapers novels opera Oxford painters painting Palladian Park particularly patronage patrons period picturesque play poem poet poetry political popular portraits printed published reflected religious response Robert Robert Adam Rococo role Royal Academy Samuel seen sentimental Shakespeare Sherborne Castle social society songs Stafford Chronicle stage Stourhead style taste theatre theme Thomas towns Walpole Whig William William Hogarth William Kent women writers wrote